Posted on January 14th, 2010 by Marcela.
Categories: useful technology, more, Screens, Home Theatre.
Santa Cristina della Fondazza
LED Projects Italy
“This is one of the first examples of monumental ilumination with LED Technology”. Ferruccio Bigi, Bigi + Gregoli.
Santa Cristina della Fondazza is one of the most beautiful churches in the city of Bologna: an 800 year old gem.
Rebuilt in 1602, at the end of its single nave it has a presbytery, thanks to which the architectural structure has wonderful acoustics, and sound is propagated with extraordinary clarity. The church is also used all year as an auditorium and hosts extremely valuable works of art.
During a recent restoration, the interior lighting was also revolutionised, adopting a scheme based almost exclusively on LED fixtures. With this unusual lighting solution for a church, Bigi+Gregoli studio managed to meet different indispensable requirements: highlighting the unique artistic heritage, creating atmospheres suited to the concert performances, accentuating the cultural role of a consecrated building and keeping its sacredness intact.
After careful selection, SGM LED fittings (supplied by Volume srl) were chosen: 24 Palco 5, 1 Ribalta and 38 Genio Mobile, plus 4 Giotto Wash moving head units and a Pilot 3000 console, used to program and control all the lights.
The LED fixtures were used because they are free from ultraviolet rays that could damage the works of art; its colour temperature is adjustable, thanks to the RGB colour mixing system, with which the tones most suited to the atmosphere can be set according to the colour and form of each painting, statue or architectural element.
The fixtures are mounted along the perimeter cornice, at a height of eleven metres, with a low-impact installation involving absolutely no masonry work. Divided into groups, they are concentrated on various sectors of the church, towards which they are aimed (the main altar, the organ, the statues in the niches, the nave environment, etc.) and they create looks studied according to the varying requirements of the auditorium. The system guarantees minimum consumption and running costs compared to those of any other light source.
www.sgm.it www.bigigregoli.com www.dbaudio.com www.sennheiser.com www.sgm.it www.yamahaproaudio.com
Posted on December 22nd, 2009 by Marcela.
Categories: new, Products, versus is vs, Technology, dlp, l c d, lcos, useful technology, more, Screens, 3 d, plasma flat panel, rear projection, control room, education, corporative, events, critical decisions, media, Blogroll, Home Theatre, Hometech Overview, Markets.
) Eyevis - Perfect Visual Solutions
Eyevis is a leading manufacturer of large screen systems for control rooms, monitoring centres, information, communication, simulation and virtual reality. Whether in control rooms in power plants, traffic control centres, video surveillance centres, or in representative installations, everywhere where there is a need for perfect pictures and reliable functionality of the system there is hardly a way around eyevis’ perfect visual solutions.
Thanks to its many years of experience and technological advantages eyevis is the ideal partner for the realisation of complete and customised solutions. eyevis permanently uses latest technology and high-end components for all of its products, in order to fulfil the high requirements of our customers towards their large screen systems. This philosophy guarantees best picture quality and reliable performance of our products. Continuous investments in research and development guarantee a head start of eyevis in the field of large screen visual solutions.
Especially in areas like in control rooms or monitoring centres it is particularly important to have a reliable display solution since there important data information has to be visualised 24 hours per day on seven days a week. Calculable and low lifecycle costs are also an important feature of our systems.
High-end quality “Made in Germany”
Eyevis’ ambitious principle has always been the permanent further development of its product range which aspires to include the most modern technologies in perfect quality.
The result of this “state-of-the-art” philosophy is the permanent development of products which constitute cutting-edge technology in their field of application. This makes eyevis one of very few manufacturers who are able to provide complete systems –
Thanks to its many years of experience and the technological advantage eyevis is the ideal partner for the realisation of complete and customised solutions.
Continuous investments in research and development guarantee a head start in the field of large screen technology.
Best quality is our foremost concern; we want to provide our customers with most modern presentation technology at a high-quality level - this philosophy is embraced by all our staff.
Relying on eyevis, means being sure that all the customer’s requirements in the field of large screen systems can be fulfilled, in order to create a complete, unique and perfect system.
Rely on our well-engineered solutions „Made in Germany“
Direct Informatio www.eyevis.de
More Information: www.adif.es www.indra.es www.autopistas.com www.floria.com www.renovatiofloria.com www.renovatiofloria.es www.abertis.com www.abertislogistica.com
Posted on December 5th, 2009 by Marcela.
Categories: Products, Technology, l c d, more, Screens, education.
I see what you’re saying - NEC’s ‘Tele Scouter’ retinal-display translation glasses
![retinal [640x480]](http://visualtechnology.info/wp-content/uploads/2009/12/retinal640x480.jpg)
The days of a Universal Translator like the one that made communication between alien species a non-issue in Star Trek might be some way off yet. But a new device from NEC is definitely a step in the right direction for those of us on planet Earth looking for a way to communicate with other language speakers that doesn’t involve a human translator or a well-thumbed phrase book. The prototype device called a “Tele Scouter” is a glasses type display that translates the foreign language being spoken by a partner and projects the translation onto a tiny retinal display.
The device mounted on an eyeglass frame consists of the retinal display, front-mounted camera and microphone, but doesn’t perform the translation itself. Rather the microphone picks up the conversation and transmits it to a portable computer worn on the user’s waist. This computer in turn transmits the information to a remote server, which is responsible for carrying out the heavy processing of converting the speech to text, translating it and sending it back to the wearable parts of the system to be displayed on the retinal display.
This configuration allows for a device that is small and lightweight enough to be worn comfortably, without chewing through battery power. And since the retinal display projects the text into the user’s peripheral vision they are able to maintain eye contact with the person they are talking to. Also, because the wearer doesn’t have to focus their eye on the displayed text, the device can be worn for extended periods without eye strain.
At present the device’s translation abilities aren’t sufficient for real world applications, so NEC plans to initially market the device as a wearable hands-free data display that could be used to show engineers and on- and off-site technicians user guides and manuals while installing or repairing hardware. The system would also allows instructions from a single expert to be delivered to multiple personnel wearing the devices, while recording the repairs is captured by the front-mounted camera.
NEC is aiming to begin shipping the Tele Scouter system in 2010, with a system to suit the needs of 30 users estimated to cost around 750 million yen (approx. US$8.2 million at time of publication). Even at that price NEC is hoping to have sold 1,000 systems in three years.
Via Pink Tentacle, Slash Gear.
Posted on December 2nd, 2009 by Marcela.
Categories: new, Products, Technology, useful technology, more, not 24 hours, corporative.
Solar forest charging station for electric vehicles
Designer neville mars has developed an electric vehicle charging station that takes
the form of an evergreen glade of solar trees. the photovoltaic grove serves a dual function,
acting as a go to source for clean renewable energy while providing a shady spot for cars
to park as they charge.
aspects of urban life are caused by cars, for both driver and the city itself. Large sweltering expanses of tarmac in cities contribute heavily to the urban heat island effect, whilst cars also become unbearably hot in summer sitting in these urban deserts.
Optimizing the heliostatic photovoltaic panels ultimately resulted in their leaflike shape. Although never intentionally conceived to mimic the form of a tree, the panels rotate to follow the path of the sun throughout the day – much like sunflowers – absorbing light whilst also providing optimal shading for cars. Although all parked cars can benefit from shading, electric vehicles can directly charge their batteries by plugging into the ‘solar trees.’
Solar Tree is unique among anti-auto pollution designs in that it empathizes with the anthropomorphized automobile, but particularly with the electric car, providing a place for overworked, spent cars to regain their lost torque, to relax beneath the trees, to gain back their juice in an optimal stress-free environment.
Video of the Solar Tree in motion on Youtube: SOLAR FOREST
Or as embedded movie SMALL or MEDIUM
http://burb.tv/view/Solar_forest
www.ecofriend.org/entry/eco-architecture-solar-forest-keeps-your-ev-cool-and-charges-it-as-well/
Posted on November 23rd, 2009 by Marcela.
Categories: new, Products, Technology, more, not 24 hours, Screens, rear projection, education, corporative, events, media.
E/T/C are specialists in high power projection both in slide and video format and provide support with image creation and programming.
With the PIGI and Onlyview systems E/T/C have been projecting on site during world class events such as the Asian Games, the Olympics and the Queen’s Golden Jubilee at Buckingham Palace.
ETC has been specialising in producing stunning, large format projections onto buildings, interesting spaces and structures since 1994. These images can be produced using either slide projection, video projection or a mix of the two.
ETC’s work has been seen around the world. We have supplied image projection solutions for a range of different clients from state occasions through theatre, rock and roll and corporate clients. A sample of the events that we have worked on would include the Doha Asian Games, The Edinburgh Military Tattoo, London’s Official New Years Eve events, The Queens Golden Jubilee, Ford, Liverpool Culture Company, Renault, the BBC and the MTV Europe Awards
There is literally no size barrier to the images we can produce. We keep adding projectors until we have achieved the size you require. For the Sultan of Oman, we created an image 400m wide by 200m tall onto a mountain. However we are just as at home creating a one or two projector backdrop to a Rock show, or a three or for projector Son et Lumière onto a stately home.
Video First for London
New Year’s Eve Projections
Video was used for the first time to project giant images onto the 353 ft high Shell Building on the South Bank of the River Thames for the Mayor of London’s 2008-09 New Year’s Eve celebrations.
E/T/C London created a projection concept and suggested that they harness the flexibility and power of video for the first time on this event, on which E/T/C has worked for producers Jack Morton Worldwide for the last 5 years. With LG Electronics coming onboard as a new sponsor, they really wanted to up the production values, making the show something extra special and more spectacular this year.
Says E/T/C’s Ross Ashton, “It was another milestone in giant video projection for E/T/C London, and probably the UK’s largest New Year video installation to date as well as a great opportunity for us to move the company forward.”
E/T/C’s Richard Porter designed the technical installation, which utilised 24 Christie S+20K projectors, all rigged vertically, and run in 12 overlaid pairs. These covered a 12 zone grid – 3 wide and 4 high – measuring 55 metres wide by 110 tall on the river facing fascia of the building.
At 2888 x 5184 pixels, this offered far higher resolution than HD.
The projectors were positioned 150 metres away from the Shell Tower in a 12 metre tall purpose built structure, together with a complex E/T/C OnlyView® control system that was set up in an adjacent cabin, and operated by Richard Porter for the show.
The 30 minute looped show was programmed by Porter, assisted by Karen Monid, onto 18 OnlyView® media servers. Sixteen servers were used for visuals, while two ran a bespoke soundtrack including sponsors messages which were then broadcast to the public via a Delta Sound PA system.
Ross Ashton collaborated closely with Jack Morton’s Kate MacKay on the creation of the artwork.
The image files involved were massive, and the handling of this aspect alone required E/T/C London’s detailed expertise. BBH created the LG branding and a series of celebrity ‘talking heads’ with New Year greetings, featuring the Mayor of London Boris Johnson, Dame Helen Mirren and others.
Another challenge was the installation of a preview monitor system, set up to show the client detailed and accurate show visualizations during the set up and programming period. E/T/C’s Paul Highfield came up with a very cost-effective video wall solution for this, using Dexion racking and bit of ingenuity!
The get-in commenced on the 27th December, with E/T/C engineers Robin Darraux, Patrice Lefevre and Glenn Jenkins. Jack Morton’s project manager was Jim Donald.
Projections kicked off at 8p.m. on New Year’s Eve as up to 400,000 revellers gathered in central London to await the rollover moment into 2009. A cool countdown clock comprising a burning fuse that snaked around the building as the minute-to-midnight moment approached was visualized by Ashton and produced in After Effects by Porter.
