Posted on July 5th, 2010 by Marcela.
Categories: new, Products, Technology, useful technology, Screens, 3 d, plasma flat panel, rear projection, media, Blogroll, Home Theatre, Hometech Overview.
The EYE-PxP alignment tool features a comprehensive toolset to enable image correction for single- or multi-channel display systems. Developed for devices requiring colour and brightness correction, the toolset also provides colour shading, alpha masks and pixel-accurate blending, among other features.
Based around an easy-to-use GUI that provides straightforward configuration for one or multiple channels, the EYE-PxP can be used with visual display solutions from a wide range of manufacturers, including eyevis itself. Users can upload an individual LUT (LookUpTable) for each colour, while a shading map with independent transparency information for red, green and blue for each pixel can also be incorporated into operations. The ‘resolutionpassthrough’ technology allows easy integration into any system environment without the need to configure the desired resolution, with a DDC-EDID emulation feature among the other key aspects of the EYE-PxP.
Any setting and parameter can be permanently stored on the device, while the input and output is a single link DVI-D for resolutions up to WUXGA (1920×1200 @ 60Hz) or 2k (2048×1080 @ 60Hz).
Hans-Günther Nusseck from eyevis’s R&D department told IE: “The simple control and handling of the device allow for simple integration into existing or new systems. The device enables corrections of colour and brightness of displays or projectors without major interference in the existing infrastructure. The open interface architecture provides the possibility to integrate almost any calibration methods or alignment systems. For the growing range of products on the display market, the eyevis EYE-PxP provides a device-independent solution for colour and brightness corrections.”
The Reutlingen-based manufacturer has also announced details of the EYE-EDID-SIM-DVI emulators, which emulate the selected/programmed EDID for the attached PC to enable continuous video output - even if the attached display is disconnected or powered down. Allowing the user to set up operation for any DVI output resolution - whether or not the device supports this resolution or not -the EDID emulators work passively and do not use presets in conjunction with a switch. For uploading or changing the emulated EDID, users will require the EYE-DDC programmer.
Posted on April 23rd, 2010 by Marcela.
Categories: not 24 hours, Screens, plasma flat panel, rear projection, events.
Canon Neoreal ‘prism liquid’ by Akihisa Hirata and Kyota Takahashi
japanese artist kyota takahashi and architect akihisa hirata collaborated on ‘prism liquid’,
canon’s neoreal installation at milan design week 2010.
‘prism liquid’
image © designboom
the space is structured as a polyhedron, which glows in various prism-like colors.
the lights flicker and move just as if water was flowing, changing their shape several times.
two opposite concepts - static and dynamic, concrete and abstract, input and output -
coexist in one world. the polyhedral screens are arranged in a sprial that is connected three-dimensionally,
in which a world of new images comes to life through the colorful lights created by takahashi
which are projected onto the larger-than-life construction (almost 6 m high, 8 m wide, 40 m deep)
by akihisa hirata. the technical details behind the installation are possible through canon digital
imaging technologies. the images which are seen have been taken with a digital single lens reflex
camera and are projected in many colors, through 21 projectors on several polyhedral screens.
image © designboom
the idea behind the installation originated from the projectors themselves.
a bunch of light beams generated by these machines as the capacity to give birth to an ‘invisible’
pyramid-shaped space. the images break up into small pieces of bright color, similar to that of a puzzle,
becoming abstract visions. the pieces come together, assembled three-dimensionally, like an origami
sculpture, enhanced by the digital imaging technology and primitive color variations and dynamic
movement of the lights and images.
image © designboom
image © designboom
‘I wanted to express the idea of ‘input to output’ as simply and directly as possible.
without using any computer graphics, elaborating the images, the brightness, and the projection method,
I decided to try and extract the maximum appeal a picture can have. then I tried to express -
in a single world - concepts such as 2D / 3D, concrete / abstract, static / dynamic -
which are usually difficult to capture because of their binomial characteristics. these images begin
with horizontal wide screens found at the back of the space. the images in this section are projected
simultaneously with five single-lens reflect cameras which have animation shooting functions;
using these images I managed to create a panoramic world of extremely realistic, vivid, digital images,
just like an ‘emakimon’ (picture scrolls). then I installed the vision scroller* and created the conditions
for those visiting the booth to taste the sense of interactivity and liveliness by themselves,
by experiencing the images on their own.’ - KT
image © designboom
the light emitted by projectors is usually projected onto flat screen screens in which we experience them
as two-dimensional images. but actually, there is a cone-shaped light generated by the projector
in which the screen blocks the light and what we really see is the reflection. a single cord connects
the entire place while creating a spiral. this thick cord made by polyhedral range blends into the territory
of the three-dimensional lights generated by the projectors. the cord runs throughout the space,
changing in size. sometimes it creates a 6 m high space, and sometimes it cascades across,
stretching over the floor, almost resembling fines or other climbing plants intertwining with the lights.
image © designboom
‘I wanted to create a space which seems to play with the mass and the three-dimensionality of the light,
and to make it possible to experience an almost physical blending with light. the mass of these lights
is materialized and vivid color are generated, making one feel as if it is radiating. (…)
tangling… come to think of it, the living world is full of peaceful, emergent, intermingled forms of life.
from micro-proteins to forests where various plants and animals co-exist. the architectures and the
spaces created by people should also be able to connect to the peace of this intermingled life.
blending our own bodies with the world should generate a new reality, a new experience which is
realistic and original at the same time.’ - AH
image © designboom
image © designboom
image © designboom
* a vision scroller is a live image creation device made by kyota takahashi,
through the installation of a camcorder under an acrylic board which is used as a canvas.
when materials such as sand and feathers are placed on the board, the camcorder takes a picture
and the projectors connected to the camcorder project the image in real time. the materials can be
moved sideways by rolling the board’s transparent roll film, and the images can be rotated
and moved by installing the camcorder on a table. a new version of the vision scroller
was made specifically for this installation.
project details:
projector: XEED WUX10, XEED SX80 mark II, LV 7585
camera: EOS 7D
camcorder: LEGRIA HF S21
concept and composition: kyota takahashi, reiko kawaguchi
camera work: kohei matsumura
sound design: toru yamanaka
imaging system: LUFTZUG.corp
sound system: cabasse
Posted on January 4th, 2010 by Marcela.
Categories: new, Products, Technology, dlp, l c d, useful technology, Screens, plasma flat panel, rear projection, education, corporative, media.
1.The EVGA Interview™ Display
2.NEC Curved Monitor
3.iView (experimental)
1.The EVGA Interview™ Display is redefining today’s face to face business interaction. With two displays capable of 1440×900 resolution, along with a 1.3 megapixel webcam and three port USB Hub, the EVGA Interview™ Dual Monitor System is not just another display.
The innovation does not stop there however. Both displays are capable of being rotated independently vertically and horizontally. When the display is flipped 180 degrees vertically, the screen intelligently flips so you can effectively share documents, images, and files with ease. This is the ideal monitor for anyone and everyone who communicates face to face.
Now when sharing information with friends, colleagues or employees, never again will you need to worry about poor viewing angles, knocking over items on your desk as you attempt to rotate your existing display or huddling around a single monitor. The displays rotate smoothly, and auto-flip the image without interruptions, even outside of the operating system!
Of course more displays mean more desktop space, and more desktop space means improved productivity. The two 1440×900 resolution displays can be set up as a clone (same image on both), or a span (extended desktop mode) with a supported graphics card. The revolutionary EVGA Interview™ Display will change the way you interact on a daily basis!
Graphics and multimedia analyst, Dr. Jon Peddie of Jon Peddie Research did a multi-monitor usage study and found an increase in productivity from 50 percent or more. “EVGA now enables in a single system what used to be called a ‘partners’ desk, traditionally facilitating teamwork between two executives while facing each other. Now users can flip the EVGA monitor over and both see the same thing. Doctors can use it in a patient-doctor relationship for reviewing X-rays with patients, teachers can use it for one-on-one tutoring, engineers can use it where they want to have a collaborative discussion on a design…and you can use it yourself for having more screen real estate because the more you can see - the more you can do.”
More information
www.youtube.com/watch?v=Pxh_FKKBZig
2.NEC Curved Monitor
NEC was showing off their curved monitor model CRVD-42DWX+ at CES 2008. It’s a 42-inch 2880×900 resolution 32:10 aspect-ratio 10000:1 contrast-ratio LED-backlit DLP display with a 0.02ms response time – great for 3-D gaming and widescreen & immersive apps. Same (?) as the Alienware Curved display also seen at CES…it’s made by the same folks, namely little-known ODM Ostendo Technologies Inc.
CRVD Technology
CRVD. Pronounced “curved.”
CRVD is Ostendo’s revolutionary new scalable technology that allows us to build curved-screen displays that offer unparalleled performance and immersion. The CRVD’s smooth curvature along with its vivid LED colors and blazing fast response time draw the user in and create an experience unlike that of any other monitor.
Vivid LED colors.
The CRVD uses the latest LED technology to deliver bright, accurate colors that are excellent for graphics and video work, or just to impress.
Blazing fast.
The CRVD has a blistering fast response time of less than .02 milliseconds, so there’s no ghosting in moving images and animation.
No special hardware needed.
CRVD displays work with existing graphics cards and games, so there is no need for special hardware or software. Check the compatibility list for further details.
The CRVD’s seamless curved screen engages 75% of the Human Visual System (HVS) peripheral vision, creating an unmatched immersive viewing experience. Whether it’s work or play, prepare to be engrossed.
Be more productive.
Curved screens offer additional productivity benefits above and beyond what flat monitors can offer. Research has shown that screen curvature increases productivity and reduces frustration when compared to multiple flat monitors.1
Improved ergonomics.
In multi-monitor usage, eye strain is often experienced because the focal distance varies across the displays. The CRVD eliminates eye fatigue because the screen is curved and the user’s focal distance remains constant across the screen.
With its roomy 2880-by-900 resolution, the CRVD will expand your desktop and give you extra space to be more productive. In fact, research has shown that wide desktops improve productivity more than 30% compared to a single monitor.2
See what you’ve been missing.
The CRVD’s ultra-wide 32:10 aspect ratio is 180% wider than 16:9 displays and 240% wider than 4:3, letting you see more of what’s important.
Like having two monitors in one.
The CRVD has all the benefits of multiple monitors without all the hassles. Say goodbye to disjointed desktops, split windows, multiple input cables, and that unsightly gap between monitors.
More information
3.iVIEW
The iView curved monitor, designed by Nuno Teixeira, is both compelling and definitely not post-iconic…a kind of stretched and curved double iMac all-in-one desktop computer.
The LCD iView, as it’s officially called, is unfortunately just a concept and so not many details are available. The iView has a curved panoramic double LCD screen on the front and a smaller one on the back to benefit your colleagues. It has two video cameras, one in front & the other at the back with which to monitor those self same ‘colleagues’. Bluetooth also.
…nicely done…the iView dates to Feb 2007 & was perhaps the inspiration for the NEC/Alienware curved monitors that cropped up in CES 2008.
iView – from Nuno Teixeira’s Portfolio on Behance
—Concept year: 2/2007
The next step in LCD for professionals “the LCD iView” the first screen with two distinctive characteristics: a double panoramic screen with a unique curvature accompanying the natural eye curvature and movement.
Eliminate the use of two screens to achieve a larger work area. The use of dual screen, strategically put together side by side, originates areas where the visibility is hindered, not only by the proximity, but by the high perspective created by the curve-free plans, as well. With the iView you will get no undesired reflections, remarkably increased working flow and with the presence of all the commands and working plans in one big area, you can now drag them around or zoom them in or out, without any of the usual unnecessary physical interruptions or adjustments.
Get “another” view of you project. The large double screen iView comprises in its back another practical innovation - an extra LCD - extremely useful for both colleges and assistants. It allows them to follow your work in progress, without any effort, which instantly increases the creative exchange.
Other Characteristics:
Image by bluetooth
Wireless, it only uses electric cable
Two web-cams, one at the front and another at the back.
Posted on December 22nd, 2009 by Marcela.
Categories: new, Products, versus is vs, Technology, dlp, l c d, lcos, useful technology, more, Screens, 3 d, plasma flat panel, rear projection, control room, education, corporative, events, critical decisions, media, Blogroll, Home Theatre, Hometech Overview, Markets.
) Eyevis - Perfect Visual Solutions
Eyevis is a leading manufacturer of large screen systems for control rooms, monitoring centres, information, communication, simulation and virtual reality. Whether in control rooms in power plants, traffic control centres, video surveillance centres, or in representative installations, everywhere where there is a need for perfect pictures and reliable functionality of the system there is hardly a way around eyevis’ perfect visual solutions.
Thanks to its many years of experience and technological advantages eyevis is the ideal partner for the realisation of complete and customised solutions. eyevis permanently uses latest technology and high-end components for all of its products, in order to fulfil the high requirements of our customers towards their large screen systems. This philosophy guarantees best picture quality and reliable performance of our products. Continuous investments in research and development guarantee a head start of eyevis in the field of large screen visual solutions.
Especially in areas like in control rooms or monitoring centres it is particularly important to have a reliable display solution since there important data information has to be visualised 24 hours per day on seven days a week. Calculable and low lifecycle costs are also an important feature of our systems.
High-end quality “Made in Germany”
Eyevis’ ambitious principle has always been the permanent further development of its product range which aspires to include the most modern technologies in perfect quality.
The result of this “state-of-the-art” philosophy is the permanent development of products which constitute cutting-edge technology in their field of application. This makes eyevis one of very few manufacturers who are able to provide complete systems –
Thanks to its many years of experience and the technological advantage eyevis is the ideal partner for the realisation of complete and customised solutions.
Continuous investments in research and development guarantee a head start in the field of large screen technology.
Best quality is our foremost concern; we want to provide our customers with most modern presentation technology at a high-quality level - this philosophy is embraced by all our staff.
Relying on eyevis, means being sure that all the customer’s requirements in the field of large screen systems can be fulfilled, in order to create a complete, unique and perfect system.
Rely on our well-engineered solutions „Made in Germany“
Direct Informatio www.eyevis.de
More Information: www.adif.es www.indra.es www.autopistas.com www.floria.com www.renovatiofloria.com www.renovatiofloria.es www.abertis.com www.abertislogistica.com
Posted on November 23rd, 2009 by Marcela.
Categories: new, Products, Technology, more, not 24 hours, Screens, rear projection, education, corporative, events, media.
E/T/C are specialists in high power projection both in slide and video format and provide support with image creation and programming.
With the PIGI and Onlyview systems E/T/C have been projecting on site during world class events such as the Asian Games, the Olympics and the Queen’s Golden Jubilee at Buckingham Palace.
ETC has been specialising in producing stunning, large format projections onto buildings, interesting spaces and structures since 1994. These images can be produced using either slide projection, video projection or a mix of the two.
ETC’s work has been seen around the world. We have supplied image projection solutions for a range of different clients from state occasions through theatre, rock and roll and corporate clients. A sample of the events that we have worked on would include the Doha Asian Games, The Edinburgh Military Tattoo, London’s Official New Years Eve events, The Queens Golden Jubilee, Ford, Liverpool Culture Company, Renault, the BBC and the MTV Europe Awards
There is literally no size barrier to the images we can produce. We keep adding projectors until we have achieved the size you require. For the Sultan of Oman, we created an image 400m wide by 200m tall onto a mountain. However we are just as at home creating a one or two projector backdrop to a Rock show, or a three or for projector Son et Lumière onto a stately home.
Video First for London
New Year’s Eve Projections
Video was used for the first time to project giant images onto the 353 ft high Shell Building on the South Bank of the River Thames for the Mayor of London’s 2008-09 New Year’s Eve celebrations.
E/T/C London created a projection concept and suggested that they harness the flexibility and power of video for the first time on this event, on which E/T/C has worked for producers Jack Morton Worldwide for the last 5 years. With LG Electronics coming onboard as a new sponsor, they really wanted to up the production values, making the show something extra special and more spectacular this year.
Says E/T/C’s Ross Ashton, “It was another milestone in giant video projection for E/T/C London, and probably the UK’s largest New Year video installation to date as well as a great opportunity for us to move the company forward.”
E/T/C’s Richard Porter designed the technical installation, which utilised 24 Christie S+20K projectors, all rigged vertically, and run in 12 overlaid pairs. These covered a 12 zone grid – 3 wide and 4 high – measuring 55 metres wide by 110 tall on the river facing fascia of the building.
At 2888 x 5184 pixels, this offered far higher resolution than HD.
The projectors were positioned 150 metres away from the Shell Tower in a 12 metre tall purpose built structure, together with a complex E/T/C OnlyView® control system that was set up in an adjacent cabin, and operated by Richard Porter for the show.
The 30 minute looped show was programmed by Porter, assisted by Karen Monid, onto 18 OnlyView® media servers. Sixteen servers were used for visuals, while two ran a bespoke soundtrack including sponsors messages which were then broadcast to the public via a Delta Sound PA system.
Ross Ashton collaborated closely with Jack Morton’s Kate MacKay on the creation of the artwork.
The image files involved were massive, and the handling of this aspect alone required E/T/C London’s detailed expertise. BBH created the LG branding and a series of celebrity ‘talking heads’ with New Year greetings, featuring the Mayor of London Boris Johnson, Dame Helen Mirren and others.
Another challenge was the installation of a preview monitor system, set up to show the client detailed and accurate show visualizations during the set up and programming period. E/T/C’s Paul Highfield came up with a very cost-effective video wall solution for this, using Dexion racking and bit of ingenuity!
The get-in commenced on the 27th December, with E/T/C engineers Robin Darraux, Patrice Lefevre and Glenn Jenkins. Jack Morton’s project manager was Jim Donald.
Projections kicked off at 8p.m. on New Year’s Eve as up to 400,000 revellers gathered in central London to await the rollover moment into 2009. A cool countdown clock comprising a burning fuse that snaked around the building as the minute-to-midnight moment approached was visualized by Ashton and produced in After Effects by Porter.
