Posted on January 14th, 2010 by Marcela.
Categories: new, Technology, useful technology, corporative.
Triple Bridge Gateway, New York City, USA.
Lighting Design: LENI SCHWENDINGER LIGHT PROJECTS Architect: PKSP
Leni Schwendinger has helped to transform a desolate area into a destination.
After more than ten years of community planning, design and construction, the bus ramps above Ninth Avenue at 40th Street have been transformed into an infrastructural public-art illumination installation that is delighting residents, visitors, passersby and motorists. Created in collaboration with the Port Authority of New
York and New Jersey (PANYNJ) by the design team of PKSB Architects and Leni Schwendinger Light Projects (LSLP), a formerly desolate stretch of Hell’s Kitchen roadway - shadowed by exposed steel and concrete overpasses - now shimmers with colour-infused light.
Notes lighting artist and designer Leni Schwendinger: “Instead of a place to rush through, our team has created a destination - a dynamic urban oasis for the eye and a visual landmark for the community.”
In 1994, Community Board #4 convened the Triple Bridge Task Force. Leni Schwendinger joined in this volunteer effort to solicit neighbourhood input and create design guidelines for aesthetic renovation of the bus ramps. In collaboration with the PKSB team, Leni Schwendinger Light Projects LTD won the PANYNJ-invited competition to design architectural improvements to the overpasses. Recalls PKSB lead principal Henry Stolzman: “We saw this project as a rare opportunity to celebrate infrastructure and mass transportation – transforming both into art and architecture.”
As the job grew in scope, facades on both the west and east side of the street were incorporated - including replacement with titanium panels of the terminal’s brick façade, creating a new entry marquee and opening commercial storefronts to enliven the streetscape.
The design process for Triple Bridge Gateway began in 1996. A series of mock-ups and installations continued from 2001 through 2008. The design choices - metals, lighting and color pattern - were conceived as emphasis for the bridges’ I-beam engineered structure. A chain-link containment system wraps the sides and underside of each ramp. This highly-detailed stainless-steel metal mesh works to reflect and diffuse light, as well as providing full-time maintenance access.
The lighting fixtures were selected for their capacity to withstand vibration and extreme weather conditions. Unique mountings were designed to achieve site-specific effects from industrial fixtures. Multiple light sources illuminate the bridge structure and the area under the bridges without interfering with ramp-roadway lighting.
Linear fluorescents emphasise the I-beam webs and bolted plates. Metal-halide CSI sources graze the mesh scrim, and wallpacks wash the bridge coffers with light.
A sculptural addition creates ‘a luminous room’. Pendant-mounted, high-polish, adjustable reflector panels pierce the scrim. Metal-halide light sources on the east and west walls of the underpass focus onto the panels that, in turn, cast reflected light patterns onto the street. The reflections unify the existing lines and spaces of the bridges, and accentuate movement and animation as cars pass underneath.
A computer-sequenced illumination scheme brings this urban sculpture to life with a weekly rotating schedule of visual compositions:
* Chambers of Colour - This formal composition focuses on the beam structure and corner shapes.
* Spectacle - A bright and bold composition.
* Reflections - Creates a connection of the street and the bridges’ underside through volumes of reflected light on the roadbed.
PKSB TEAM:
Wayne Berg, Kentaro Tsubaki, Henry Stolzman
LIGHT PROJECTS TEAM:
Leni Schwendinger, David Lander, Jodi Geroux, Charles Cameron, Eric Chenault
LIGHTING SUPPLIERS:
ETC, Kim Lighting, Hess America, Holophane, Insight Lighting, Let There Be Neon, Lithonia, Thorn
Posted on January 4th, 2010 by Marcela.
Categories: new, Products, Technology, dlp, l c d, useful technology, Screens, plasma flat panel, rear projection, education, corporative, media.
1.The EVGA Interview™ Display
2.NEC Curved Monitor
3.iView (experimental)
1.The EVGA Interview™ Display is redefining today’s face to face business interaction. With two displays capable of 1440×900 resolution, along with a 1.3 megapixel webcam and three port USB Hub, the EVGA Interview™ Dual Monitor System is not just another display.
The innovation does not stop there however. Both displays are capable of being rotated independently vertically and horizontally. When the display is flipped 180 degrees vertically, the screen intelligently flips so you can effectively share documents, images, and files with ease. This is the ideal monitor for anyone and everyone who communicates face to face.
Now when sharing information with friends, colleagues or employees, never again will you need to worry about poor viewing angles, knocking over items on your desk as you attempt to rotate your existing display or huddling around a single monitor. The displays rotate smoothly, and auto-flip the image without interruptions, even outside of the operating system!
Of course more displays mean more desktop space, and more desktop space means improved productivity. The two 1440×900 resolution displays can be set up as a clone (same image on both), or a span (extended desktop mode) with a supported graphics card. The revolutionary EVGA Interview™ Display will change the way you interact on a daily basis!
Graphics and multimedia analyst, Dr. Jon Peddie of Jon Peddie Research did a multi-monitor usage study and found an increase in productivity from 50 percent or more. “EVGA now enables in a single system what used to be called a ‘partners’ desk, traditionally facilitating teamwork between two executives while facing each other. Now users can flip the EVGA monitor over and both see the same thing. Doctors can use it in a patient-doctor relationship for reviewing X-rays with patients, teachers can use it for one-on-one tutoring, engineers can use it where they want to have a collaborative discussion on a design…and you can use it yourself for having more screen real estate because the more you can see - the more you can do.”
More information
www.youtube.com/watch?v=Pxh_FKKBZig
2.NEC Curved Monitor
NEC was showing off their curved monitor model CRVD-42DWX+ at CES 2008. It’s a 42-inch 2880×900 resolution 32:10 aspect-ratio 10000:1 contrast-ratio LED-backlit DLP display with a 0.02ms response time – great for 3-D gaming and widescreen & immersive apps. Same (?) as the Alienware Curved display also seen at CES…it’s made by the same folks, namely little-known ODM Ostendo Technologies Inc.
CRVD Technology
CRVD. Pronounced “curved.”
CRVD is Ostendo’s revolutionary new scalable technology that allows us to build curved-screen displays that offer unparalleled performance and immersion. The CRVD’s smooth curvature along with its vivid LED colors and blazing fast response time draw the user in and create an experience unlike that of any other monitor.
Vivid LED colors.
The CRVD uses the latest LED technology to deliver bright, accurate colors that are excellent for graphics and video work, or just to impress.
Blazing fast.
The CRVD has a blistering fast response time of less than .02 milliseconds, so there’s no ghosting in moving images and animation.
No special hardware needed.
CRVD displays work with existing graphics cards and games, so there is no need for special hardware or software. Check the compatibility list for further details.
The CRVD’s seamless curved screen engages 75% of the Human Visual System (HVS) peripheral vision, creating an unmatched immersive viewing experience. Whether it’s work or play, prepare to be engrossed.
Be more productive.
Curved screens offer additional productivity benefits above and beyond what flat monitors can offer. Research has shown that screen curvature increases productivity and reduces frustration when compared to multiple flat monitors.1
Improved ergonomics.
In multi-monitor usage, eye strain is often experienced because the focal distance varies across the displays. The CRVD eliminates eye fatigue because the screen is curved and the user’s focal distance remains constant across the screen.
With its roomy 2880-by-900 resolution, the CRVD will expand your desktop and give you extra space to be more productive. In fact, research has shown that wide desktops improve productivity more than 30% compared to a single monitor.2
See what you’ve been missing.
The CRVD’s ultra-wide 32:10 aspect ratio is 180% wider than 16:9 displays and 240% wider than 4:3, letting you see more of what’s important.
Like having two monitors in one.
The CRVD has all the benefits of multiple monitors without all the hassles. Say goodbye to disjointed desktops, split windows, multiple input cables, and that unsightly gap between monitors.
More information
3.iVIEW
The iView curved monitor, designed by Nuno Teixeira, is both compelling and definitely not post-iconic…a kind of stretched and curved double iMac all-in-one desktop computer.
The LCD iView, as it’s officially called, is unfortunately just a concept and so not many details are available. The iView has a curved panoramic double LCD screen on the front and a smaller one on the back to benefit your colleagues. It has two video cameras, one in front & the other at the back with which to monitor those self same ‘colleagues’. Bluetooth also.
…nicely done…the iView dates to Feb 2007 & was perhaps the inspiration for the NEC/Alienware curved monitors that cropped up in CES 2008.
iView – from Nuno Teixeira’s Portfolio on Behance
—Concept year: 2/2007
The next step in LCD for professionals “the LCD iView” the first screen with two distinctive characteristics: a double panoramic screen with a unique curvature accompanying the natural eye curvature and movement.
Eliminate the use of two screens to achieve a larger work area. The use of dual screen, strategically put together side by side, originates areas where the visibility is hindered, not only by the proximity, but by the high perspective created by the curve-free plans, as well. With the iView you will get no undesired reflections, remarkably increased working flow and with the presence of all the commands and working plans in one big area, you can now drag them around or zoom them in or out, without any of the usual unnecessary physical interruptions or adjustments.
Get “another” view of you project. The large double screen iView comprises in its back another practical innovation - an extra LCD - extremely useful for both colleges and assistants. It allows them to follow your work in progress, without any effort, which instantly increases the creative exchange.
Other Characteristics:
Image by bluetooth
Wireless, it only uses electric cable
Two web-cams, one at the front and another at the back.
Posted on December 22nd, 2009 by Marcela.
Categories: new, Products, versus is vs, Technology, dlp, l c d, lcos, useful technology, more, Screens, 3 d, plasma flat panel, rear projection, control room, education, corporative, events, critical decisions, media, Blogroll, Home Theatre, Hometech Overview, Markets.
) Eyevis - Perfect Visual Solutions
Eyevis is a leading manufacturer of large screen systems for control rooms, monitoring centres, information, communication, simulation and virtual reality. Whether in control rooms in power plants, traffic control centres, video surveillance centres, or in representative installations, everywhere where there is a need for perfect pictures and reliable functionality of the system there is hardly a way around eyevis’ perfect visual solutions.
Thanks to its many years of experience and technological advantages eyevis is the ideal partner for the realisation of complete and customised solutions. eyevis permanently uses latest technology and high-end components for all of its products, in order to fulfil the high requirements of our customers towards their large screen systems. This philosophy guarantees best picture quality and reliable performance of our products. Continuous investments in research and development guarantee a head start of eyevis in the field of large screen visual solutions.
Especially in areas like in control rooms or monitoring centres it is particularly important to have a reliable display solution since there important data information has to be visualised 24 hours per day on seven days a week. Calculable and low lifecycle costs are also an important feature of our systems.
High-end quality “Made in Germany”
Eyevis’ ambitious principle has always been the permanent further development of its product range which aspires to include the most modern technologies in perfect quality.
The result of this “state-of-the-art” philosophy is the permanent development of products which constitute cutting-edge technology in their field of application. This makes eyevis one of very few manufacturers who are able to provide complete systems –
Thanks to its many years of experience and the technological advantage eyevis is the ideal partner for the realisation of complete and customised solutions.
Continuous investments in research and development guarantee a head start in the field of large screen technology.
Best quality is our foremost concern; we want to provide our customers with most modern presentation technology at a high-quality level - this philosophy is embraced by all our staff.
Relying on eyevis, means being sure that all the customer’s requirements in the field of large screen systems can be fulfilled, in order to create a complete, unique and perfect system.
Rely on our well-engineered solutions „Made in Germany“
Direct Informatio www.eyevis.de
More Information: www.adif.es www.indra.es www.autopistas.com www.floria.com www.renovatiofloria.com www.renovatiofloria.es www.abertis.com www.abertislogistica.com
Posted on December 2nd, 2009 by Marcela.
Categories: new, Products, Technology, useful technology, more, not 24 hours, corporative.
Solar forest charging station for electric vehicles
Designer neville mars has developed an electric vehicle charging station that takes
the form of an evergreen glade of solar trees. the photovoltaic grove serves a dual function,
acting as a go to source for clean renewable energy while providing a shady spot for cars
to park as they charge.
aspects of urban life are caused by cars, for both driver and the city itself. Large sweltering expanses of tarmac in cities contribute heavily to the urban heat island effect, whilst cars also become unbearably hot in summer sitting in these urban deserts.
Optimizing the heliostatic photovoltaic panels ultimately resulted in their leaflike shape. Although never intentionally conceived to mimic the form of a tree, the panels rotate to follow the path of the sun throughout the day – much like sunflowers – absorbing light whilst also providing optimal shading for cars. Although all parked cars can benefit from shading, electric vehicles can directly charge their batteries by plugging into the ‘solar trees.’
Solar Tree is unique among anti-auto pollution designs in that it empathizes with the anthropomorphized automobile, but particularly with the electric car, providing a place for overworked, spent cars to regain their lost torque, to relax beneath the trees, to gain back their juice in an optimal stress-free environment.
Video of the Solar Tree in motion on Youtube: SOLAR FOREST
Or as embedded movie SMALL or MEDIUM
http://burb.tv/view/Solar_forest
www.ecofriend.org/entry/eco-architecture-solar-forest-keeps-your-ev-cool-and-charges-it-as-well/
Posted on November 23rd, 2009 by Marcela.
Categories: new, Products, Technology, more, not 24 hours, Screens, rear projection, education, corporative, events, media.
E/T/C are specialists in high power projection both in slide and video format and provide support with image creation and programming.
With the PIGI and Onlyview systems E/T/C have been projecting on site during world class events such as the Asian Games, the Olympics and the Queen’s Golden Jubilee at Buckingham Palace.
ETC has been specialising in producing stunning, large format projections onto buildings, interesting spaces and structures since 1994. These images can be produced using either slide projection, video projection or a mix of the two.
ETC’s work has been seen around the world. We have supplied image projection solutions for a range of different clients from state occasions through theatre, rock and roll and corporate clients. A sample of the events that we have worked on would include the Doha Asian Games, The Edinburgh Military Tattoo, London’s Official New Years Eve events, The Queens Golden Jubilee, Ford, Liverpool Culture Company, Renault, the BBC and the MTV Europe Awards
There is literally no size barrier to the images we can produce. We keep adding projectors until we have achieved the size you require. For the Sultan of Oman, we created an image 400m wide by 200m tall onto a mountain. However we are just as at home creating a one or two projector backdrop to a Rock show, or a three or for projector Son et Lumière onto a stately home.
Video First for London
New Year’s Eve Projections
Video was used for the first time to project giant images onto the 353 ft high Shell Building on the South Bank of the River Thames for the Mayor of London’s 2008-09 New Year’s Eve celebrations.
E/T/C London created a projection concept and suggested that they harness the flexibility and power of video for the first time on this event, on which E/T/C has worked for producers Jack Morton Worldwide for the last 5 years. With LG Electronics coming onboard as a new sponsor, they really wanted to up the production values, making the show something extra special and more spectacular this year.
Says E/T/C’s Ross Ashton, “It was another milestone in giant video projection for E/T/C London, and probably the UK’s largest New Year video installation to date as well as a great opportunity for us to move the company forward.”
E/T/C’s Richard Porter designed the technical installation, which utilised 24 Christie S+20K projectors, all rigged vertically, and run in 12 overlaid pairs. These covered a 12 zone grid – 3 wide and 4 high – measuring 55 metres wide by 110 tall on the river facing fascia of the building.
At 2888 x 5184 pixels, this offered far higher resolution than HD.
The projectors were positioned 150 metres away from the Shell Tower in a 12 metre tall purpose built structure, together with a complex E/T/C OnlyView® control system that was set up in an adjacent cabin, and operated by Richard Porter for the show.
The 30 minute looped show was programmed by Porter, assisted by Karen Monid, onto 18 OnlyView® media servers. Sixteen servers were used for visuals, while two ran a bespoke soundtrack including sponsors messages which were then broadcast to the public via a Delta Sound PA system.
Ross Ashton collaborated closely with Jack Morton’s Kate MacKay on the creation of the artwork.
The image files involved were massive, and the handling of this aspect alone required E/T/C London’s detailed expertise. BBH created the LG branding and a series of celebrity ‘talking heads’ with New Year greetings, featuring the Mayor of London Boris Johnson, Dame Helen Mirren and others.
Another challenge was the installation of a preview monitor system, set up to show the client detailed and accurate show visualizations during the set up and programming period. E/T/C’s Paul Highfield came up with a very cost-effective video wall solution for this, using Dexion racking and bit of ingenuity!
The get-in commenced on the 27th December, with E/T/C engineers Robin Darraux, Patrice Lefevre and Glenn Jenkins. Jack Morton’s project manager was Jim Donald.
Projections kicked off at 8p.m. on New Year’s Eve as up to 400,000 revellers gathered in central London to await the rollover moment into 2009. A cool countdown clock comprising a burning fuse that snaked around the building as the minute-to-midnight moment approached was visualized by Ashton and produced in After Effects by Porter.
